![]() ![]() ![]() I find it very interesting that the keys that I can modulate to in a way defined earlier, ALL of them are contained in a different major scale. If we choose only those modulating chords then it seems like the "destination" keys are those contained in the scale of B-flat major. ![]() Motivation of this definition is that I want a dominant seventh to be well-connected and supported by a consonant chord. In this case I define the word "easily" in the following way - There should be at least one CONSONANT chord in C major in which at least TWO of its tones are contained in the modulating dominant seventh. I decided to research where I can "easily" modulate from C major using dominant seventh chord (modulating to a major key we are). ![]()
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